When I opened up Processed Product a moment ago I had to wipe off a layer of dust at least an inch thick, but now everything seems to be in working order. The novel has been taking up most of my writing time, but in those moments when I’m stuck or I just want to air ideas and thoughts, I plan to do so here. So I guess what I’m saying is, get ready.
I have never thought of myself as a “fan” of David Cronenberg even though each of his films has stayed with me, more so perhaps than most others. They are nightmarish, but more importantly they’re visceral and gooey in ways that so many other films shy away from. Seeing “The Fly” once is enough to sear Jeff Goldblum’s disgusting transformation into your mind forever. “Be afraid. Be very afraid,” the tagline went. And let’s not even talk about “Dead Ringers.”
So it’s with a strange sort of recognition that I find myself writing passages like the one below, which comes from the chapter I’ve been hammering out for the past three months. The end is in sight, but getting the rhythm and the diction just right is increasingly important to me, and for some reason the details my mind conjures are increasingly disturbing:
He flexed his neck and chest, grunting with red-faced strain, and his effort aroused whatever extra sense endowed him with mastery. Its force pulled Neun back, stretching her deformed shape into a wiry, taut length that slid across the empty lot despite her clawing at the concrete, and he had hold of her extended head when he suddenly let go. He reeled, his chest spasmed, and six arms burst forth from his sides, leaving ragged, fleshy rifts in his skin that sputtered blood while he screamed and frantically batted at the unwelcome limbs tearing his wounds open still wider. Stumbling, he fell to his knees, his stamina flagging, and the mess of flailing parts and fluids collapsed into a glutinous, inanimate mound.